James Barham
Production Credits
THE COUNSELOR
Second Assistant Editor | Scott Free Productions | Dir: Ridley Scott
Editor: Pietro Scalia
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PROMETHEUS
Second Assistant Editor
Science Fiction Drama, shot in stereoscopic 3D at 5K on Red Epic, and cut at the offline stage in 3D an DNxHD 115 on Avid Media Composer Version 5 | Scott Free Productions | Dir: Ridley Scott
Editor: Pietro Scalia
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KATHERINE OF ALEXANDRIA
Shot on RED and cut in Final Cut Pro.
Assistant Editor during a one-week preliminary shoot. | Spiked Wheel Films | Dir: Michael Redwood
Editor: Raimondo Aiello
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THE STORY OF...
Feature length British Comedy
Assistant Editor | Magnet Films | Dir: James Abadi
Editor: Anthony Sadler
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CHARLEY BOORMAN
Sydney to Tokyo By Any Means
Assistant Editor | Big Earth | Editors: Eddie Hamilton/ Jon Walker/ Julia Frater
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CHARLEY BOORMAN
Ireland to Sydney By Any Means
A six part series
Assistant Editor | Big Earth | Editors: Jon Walker/ Julia Frater/ Mike Clark-Hall
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HUNTED
Second Assistant Editor Eps 1-4
First Assistant Editor Eps 5-8
Espionage Drama series.
Shot on Alexa, primarily at ProRes 422(HQ), and cut at the offline stage at DNxHD 36 in Avid Media Composer 5.3 | Kudos/BBC/HBO | Dir: SJ Clarkson
Dir: James Strong
Dir: Alrick Riley
Dir: Daniel Percival
Editor: Liana Del Giudice
Editor: Roy Poole
Editor: Emma Oxley
Editor: Jason Savage
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HOLBY CITY
Assistant Editor
The popular BBC One drama series, shot on P2 and edited in Avid at AVC-Intra 100, across 5 edit suites using Media Composer Versions 4 and 5. Principal duties were ingesting, labelling, and organising the rushes for the editors, DVD layoffs, pre-grade master layoffs to HDCam SR, AAF exports, video file exports, and adding episode credits. The role also required effective management of the Avid Unity system | BBC | |
MAKING THE WORLD CLASS SHORT FILM
Editor
A comprehensive eight hour seminar available www.gonefishingseminar.com | Living Spirit Pictures | Dir: Chris Jones
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